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Behringer MIC2200 V2 Two-Channel Audiophile Vacuum Tube Microphone/Line Preamp

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Behringer MIC2200 V2 Two-Channel Audiophile Vacuum Tube Microphone/Line Preamp

Behringer MIC2200 V2 Two-Channel Audiophile Vacuum Tube Microphone/Line Preamp

With the Behringer MIC200 V2 Mic preamp, you can add two channels of Vacuum tube warmth to your recordings and live sound while stretching your studio budget. It's loaded with the same pro-caliber features you’d expect to find on any high-end preamp/channel strip, plus a few surprises. Most importantly, the MIC200 V2 delivers natural compression and organic quality associated with high-dollar vintage preamps thanks to its hand-selected 12AX7 pre-amp tube.

The Behringer MIC2200 V2 delivers a big, open sound with a wide (10-200hz) tonal range controlled by a parametric EQ with dedicated center frequency, bandwidth, and level functions—plus a fully tunable 12dB high-pass filter to help tame unwanted low-end rumble. Each channel features servo-balanced XLR inputs with a phantom power switch and a line input for maximum versatility. Both inputs feature a phase reverse switch for positive alignment and 12-stage LED to monitor unwanted (or intentional) clipping.

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From $50.40

Original: $144.00

-65%
Behringer MIC2200 V2 Two-Channel Audiophile Vacuum Tube Microphone/Line Preamp

$144.00

$50.40

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With the Behringer MIC200 V2 Mic preamp, you can add two channels of Vacuum tube warmth to your recordings and live sound while stretching your studio budget. It's loaded with the same pro-caliber features you’d expect to find on any high-end preamp/channel strip, plus a few surprises. Most importantly, the MIC200 V2 delivers natural compression and organic quality associated with high-dollar vintage preamps thanks to its hand-selected 12AX7 pre-amp tube.

The Behringer MIC2200 V2 delivers a big, open sound with a wide (10-200hz) tonal range controlled by a parametric EQ with dedicated center frequency, bandwidth, and level functions—plus a fully tunable 12dB high-pass filter to help tame unwanted low-end rumble. Each channel features servo-balanced XLR inputs with a phantom power switch and a line input for maximum versatility. Both inputs feature a phase reverse switch for positive alignment and 12-stage LED to monitor unwanted (or intentional) clipping.